Neo Hülcker

Neo Hülcker is a composer performer whose work focuses on music as anthropological research in everyday life environments. Their compositions evolve as situations, performance-installations, actions and interventions, and deal with digital subculture (like ASMR), childhood, human-animal-relations, queer practice and cultural hacking. 
They are a part of the Y-E-S collective, who publishes music dealing with performativity, temporality, sound as physical experience and the cultural frames of concerts (y-e-s.org). 
Neo Hülcker created compositions, performances, music theatres and installations such as Ear Action (2016) with Stellan Veloce, crackles (2016) and good dog (2017) for MOCREP, Gib Pfötchen (2017) for Maulwerker and Da war ich noch nie in meinem ganzen Leben (2017), Musik für tote Tiere (since 2017) and tentaculus ohri (2018) with Henry Wilde aka Antonia Baehr, Dress up – Selbstporträt mit Hund (2020) with Ulrike Ruf and Das Musikgeschäft (2021) with Bastian Zimmermann. 
Neo Hülcker collaborated with Ensemble ascolta, mam. Manufaktur für aktuelle Musik, Ensemble Garage, MOCREP, Bastard Assignments, Maulwerker, decoder ensemble, We Spoke, The Agency, paranormal φeer group, Henry Wilde aka Antonia Baehr, Bastian Zimmermann, Armin Wieser, Tomomi Adachi, Stellan Veloce, Lucie Vitkova, Andy Ingamells, Elisabeth R. Hager, Matthias Kaul, Astrid Schmeling, Eva Zöllner, Bill Dietz, Jennifer Torrence and more.
Neo Hülcker's compositions have been performed at Wittener Tage für neue Kammermusik (DE), Wien Modern (A), Warschauer Herbst (PL), London Contemporary Music Festival (GB), Münchener Biennale (DE), Blurred Edges (Hamburg, DE), Frontiers Festival (Birmingham, GB), Sound Acts (Athen, GR), Internationale Ferienkurse für Neue Musik Darmstadt (DE), Klangwerkstatt (Berlin, DE), Dark Music Days (Reykjavik, IS), Moving Music Festival (DE), SSSS! (Chicago) and elswhere.